Andreas Gursky, Paris, Montparnasse, 1993, inkjet print. Atelier Andreas Gursky, by SIAE 2025. ‘Typologien: Photography in 20th-century Germany’, 2025, exhibition view. Courtesy: Fondazione Prada; ...

Crochet knitting, llama fibre, sheep’s wool dyed with natural pigments by the Tejedores Andinos group and acrylic yarns, 140 × 210 cm. Presented by Proyectos Ultravioleta. $32k Claudia Alarcón, A ...

Monica Khemsurov and Jill Singer This was our first introduction to the work of Hannah Levy, and we’re a little obsessed. Her work sits at the centre of a venn diagram that includes Louise Bourgeois, ...

Dara Birnbaum, a pioneering video and installation artist who appropriated televisual content and strategies to probe systems of subjugation and control, has died at the age of 78. A longtime fixture ...

Paul Baker Prindle’s Top Picks from Frieze New York Viewing Room The artist and director of the Madison Museum of Contemporary Art selects Thenjiwe Niki Nkosi, Roxanne Jackson and Rotomi Fani-Kayod ...

Fani-Kayode’s work is audacious, meeting homoerotic desire with unflinching clarity. His celebration of queer power – rooted in aberrance and defiance – was vital when these images were made and feels ...

Merce Cunningham in Antic Meet,1958. Courtesy: the Merce Cunningham Trust and the Jerome Robbins Dance Division, The NewYork Public Library; photograph: Richard Rutledge, United in their examination ...

Frieze Editor’s Picks is a fortnightly column in which a frieze editor shares their recommendations for what to watch, read and listen to. Cher, performance of ‘Walking in Memphis’ at Love Rocks NYC, ...

Frieze’s Matthew McLean takes a tour of Frieze Los Angeles to encounter artists, projects and social initiatives, supported by Deutsche Bank ...

The chief curator at Berkeley Art Museum and Pacific Film Archive chooses Claudia Alarcón, Berenice Olmedo and Pamela Phatsimo Sunstrum among others ...

‘Unleashing the Sins of Sculpture’ reimagines sin as a means of disrupting the patriarchal narratives shaping the infrastructures of power and value, historical memory and aesthetic visibility.

I joined a ‘Bad Behaviour’ reading group in Toronto this past spring. When the ‘Politics/Identity’ week rolled around, I was especially keen to hear my fellow ...